Showing posts with label B&J. Show all posts
Showing posts with label B&J. Show all posts

Sunday, July 31, 2016

Trending Off the Shoulder




I am enjoying a quiet week at Bald Head Island with bookend weekend visits from family.   It's hot as hades here and even the ocean breeze is no match for the Carolina heat.


There are no cars on the island and only golf carts and bikes to get around. It's just the right pace for me and there's no place I'd rather be!


My usual beach look is wild-haired and makeup free in an old knit dress.  Occasionally my Southern heritage kicks in and I feel compelled to get moderately "dolled up." I selected the Style Arc Cara for my on-trend off the shoulder look.


I cut a size 8, though I wish I had sewed the 6 as the neckline could be a smidge tighter. The blue cotton is from Gail K Fabrics in Atlanta. The white contrast shirting is a B&J scrap from my husband's shirts. The lace is from M&J Trimmings:  3.5 yards of the wider lace for the hem and neckline band and 1 yard of the smaller lace for the sleeve caps.

I originally lengthened the front and back pieces by 16 inches to make a dress.  As soon as I sewed it up I knew I had a potential wadder on my hands.  Wadder status was confirmed when my husband innocently asked if I was going for the "Robin Hood's merry men" look.  I tried belting the dress, but the Robin Hood jokes didn't cease...

                         

To salvage the dress, I cut off 16 inches and made it into the top intended by the pattern.

The front neckline piece (which is attached to the sleeves and top front) is interfaced and elastic is only inserted on the back neckline piece to ensure no wardrobe malfunctions. Before attaching the white neckline to the blue top, I sewed the back neckline to the front neckline at the side seams and pressed open the seam allowances.  I sewed the elastic on each side to the back neckline seam allowance. See the stitching in blue below.

                                 

Next, I secured the elastic to the back neckline with a zigzag stitch on the side of the neckline touching my skin, rendering the zigzag invisible from the outside.



From there, I used a typical skirt waistband technique of stitching in the ditch to secure the neckline to the top with a clean finish. 



I enjoyed using lace as an embellishment. Quality RTW lace embellishments usually catapult a RTW garment out of my price range. This makes embellishing me-mades with lace all the more appealing. Yes, it does take extra time and care to sew down the lace, but I think it's worth it!

I sewed the sleeve lace directly on top of the sleeves.


The wider lace is sewn as an insert along the hem of the top.  I used the remaining lace to embellish the front neckline band.



For the first time since our wedding we dined at our reception venue on the island.  The quiet ambience could not have been more different from our boisterous wedding celebration over two years ago, but it was a great evening nonetheless. Perfect for my new beach chic Cara top!


Wish I could stay on "Island Time" forever!   

Tuesday, July 19, 2016

Tale of Two Laurels



It's amazing how the same pattern can look so different dependent on the fabric!  I first made the Colette Laurel in lace back in 2014 for my rehearsal dinner. Two years later, at the beginning of summer 2016, I completed a second Laurel in cotton lawn.  While the lace version will always be extra special because I wore it during our wedding weekend, the cotton version has already taken its place as my 2016 "wear it to death" summer dress. Here are the details on both makes:


Guipure Lace Version:


                                       

The guipure lace is from Gorgeous Fabrics.  It's a couture remnant that I snatched up the week after my engagement in January 2013.  I can remember Ann advertising it as normally selling for hundreds of dollars per yard. I paid $50/yard.   No doubt it's couture, as this week I saw the same fabric appear on Susan Khalje's Instagram feed for a wedding gown. The pink silk charmeuse is from B&J.

Guipure is so pretty in the candlelight!

I sewed the silk charmeuse into a full and separate dress, installing the zipper, hemming it, narrow hem at armholes and neck, finishing the seams with the serger, etc.  With the help of an instructor at the now closed Sewing Studio where I took a few lessons, I used the pattern pieces to loosely cut the guipure with very large seam allowances.  The instructor draped the guipure over the silk charmeuse dress on a dressform. We pinned the lace in place and then cut out the excess loosely around the side seams and neck/arm holes.  From there, I did the laborious work of sewing the guipure to the silk by hand.  I never made a lining for the dress, so the hand stitches are still visible on the underside. I decided to cut the lace blunt at the hem.

This is the only full length photo I have from that wonderful evening!


Although the end result was exactly what I was after, I did not use any couture techniques on my couture lace!  Tsk, tsk, tsk. If I am being honest, I am none the wiser if something is couture vs. RTW unless I look inside the garment.   I have been thinking about the couture vs. RTW debate since viewing the showcase piece at the Met's Manus x Machina exhibition: a 2015 Chanel wedding ensemble made of scuba with screen printed embroidery which Lagerfeld described as "haute couture without the couture."


Who would have thought that beautiful fabric was synthetic or that the intricate beading was accomplished with digital technology?  I think it is possible to still appreciate couture work while also questioning the time-honored view that handwork is superior to machine.

Trendsetting? Michael used his umbrella placecard as a matching fascinator!

I loved wearing this dress to our rehearsal dinner, especially with the fascinator I made to accessorize it. Sure it was a little fancy for our beach club rehearsal dinner, but you only get the "I'm the bride" excuse once!

Everyday Cotton Lawn Version:




I have been wearing this dress to death all summer!  I purchased the cotton lawn from B&J in 2010. It was my first visit to B&J and I remember that the fabric was part of a new collection of cotton lawn produced specifically for the store. At about 1/2 the price of Liberty, it felt like a good deal.

Since its inception, the lawn dress was intended to be the wearable muslin for the lace rehearsal dinner version.  I worked out the fitting kinks in the cotton lawn in early 2014, transferred the pattern changes to pattern paper, but never finished the lawn version before going full steam ahead with the lace. As any bride can attest, when the wedding is over you don't want to touch ANYTHING wedding related for months, if not years...

Summer cactus garden at Rockefeller Center
                     
The unfinished lawn dress languished in my UFO drawer until the night before a whirlwind rafting trip to Oregon this past Memorial Day weekend!  Of course.

Hotel bathroom selfie in Portland. I have been wearing the dress with this long cardigan when in A/C.

Perhaps I just wanted to wear a Colette pattern in Portland (where Colette Pattern company is based), or maybe I'm just mad in the head...Either way, finishing this dress was straightforward and only took a few late night hours. I wanted the neckline to be more of a scoop, so I folded the front in half and eyeballed it with scissors. Since the dress is unlined,  I used pre-purchased double fold bias tape to bind the neck and armholes (first time doing this) and installed an invisible zipper.  The dress is a little short on me and I wish I had 1/2 inch more length.



If I make the Laurel again, I will be sure to lower the bust darts a little, add a kick pleat in the back, and add a little length to the dress.

Thursday, March 10, 2016

From Sewist to Client: a Custom Wardrobe in Hanoi


"We travel not to escape life, but for life not to escape us."

I am still on a high from our Vietnam vacation --- inspired by the fellow travelers we met along the way, picturesque scenery, my own vanquished fears (an overnight in the 3rd largest cave in the world deep in a leech-filled jungle!), and the silliness and confusion that accompany developing world adventures. What beautiful memories!

Soon after we booked our flights I started researching tailors in Hanoi.  My husband Michael needed a work wardrobe refresh and I wanted a headstart on my wedding season wardrobe.  I quickly settled on Hoa Fashion after learning that it was favored by local expats and recommended by our guidebook.


A third generation family business, Madame Hoa and her daughter Lien are the face of the brand.  Madame is a master of fit, nipping and pinning and smoothing; Lien, a fashion school grad, has a great eye for design and proportion.   The workers -- pattern maker, cloth cutter, men's tailor and several general sewists -- surfaced from the basement to advise during our fittings.  There was a visible security camera feed on the shop's main floor and I was able to glimpse at their comfortable workspace.

We arrived for our initial consultation at 8:30pm and spent two hours with Lien and her mother getting measured, trying on existing shop samples, flipping through catalogues (La Redoute, etc.) and settling on designs.

Madame Hoa measuring Michael during the initial consultation

Michael brought along a sample shirt and I brought images of designs to copy.

From left: Pinterest pants, DVF dress, Laroque tank, Burberry coat, Simplicity 1880

Additionally, we offloaded seven kilos of fabric from our suitcase!  You really can't compare the quality of Asian textiles to their finer European counterparts, so I encouraged Michael to shop for the fabric in advance in NYC.  He purchased the bulk at B&J, including super 120s suiting, shirting, and cashmere flannel for a sport coat.  He also made purchases at Mood and Elliott Berman.  I brought two pieces of stash fabric: a cotton floral print purchased several years ago at Benevento in Venice and a yellow brocade from Zimman's in Lynn, Massachusetts.

Fabrics purchased from B&J

Once we arrived at Hoa neither of us could resist adding to our order with garments made from fabrics from the shop.  Michael added a blue linen suit and several shirts and I added dresses and separates, including a dress and camisole from Vietnamese silk, and two dresses from Korea-milled cotton lawn.

For a small shop, they had an impressive fabric stash including a very small collection of high quality Vietnamese silk manufactured in the Van Phuc Silk village.

In addition to taking extensive measurements, Lien asked that I try on samples of the two designs I wanted to copy from her shop examples: a Burberry trench and a dress.   Her Burberry trench sample was on point and she told me that she had purchased a real Burberry in order to copy everything exactly.  It passed the Gorgeous Fabrics Burberry trench test!   Although I wanted to make some changes to the Burberry trench (princess seams and a flounce, a la Kate Mid), she asked that I try on her sample so she could work from her existing flat pattern to make the changes.  She quickly ascertained that one of my shoulders is taller than the other and made notes so that both shoulders would fit.

I fell in love with this dress which was destined for another client.  Since it was my size, I tried it on and Lien made notes for the pattern maker to alter the existing pattern to my body.

Before leaving, Madame asked if we would like all cotton fabrics pre-washed. These ladies sure do speak my language!

We returned five days later for the first fitting.  Hoa had prepared one of Michael's eight dress shirts and they had wisely chosen the lowest quality of the fabrics to make the initial shirt.

1st fitting.  The buttons are not placed, placket not sewn, and the collar is made out of interfacing


It was interesting to see what they had deliberately finished and what they had not.  Both of his suits were in process (no linings and only one sleeve) and all pants had been sewn.  All hemlines had been hand basted, zippers had not been inserted, and buttons had not been sewn.  For both of our garments, the collars (Burberry trench, Michael's shirts, my DVF shirtdress copy) were made out of interfacing to preserve the fashion fabric in the event of further changes.

First fitting.  Collar is interfaced, nothing is hemmed, and buttons are not placed.  Only one sleeve is inserted.


The inspiration on the left and the copy on the right.  The shape looked terrible on me, so we made it into cigarette pants.

And we did make further changes -- the DVF dress collar was a bit too tight, so Lien cut the collar at the center back and then used tape to achieve a comfortable fit around my neck. Similarly, we reshaped the interfacing collars on the alder style shirt dresses with a pair of scissors.  We discussed linings  and Lien suggested which dresses only needed a 1/2 lining.

My dress on the left and the inspiration on the right

Michael was particularly impressed that Hoa made working buttonholes and vents for the sleeves of his suit jacket and sport coat. According to Michael, most men's RTW -- even upmarket brands like Paul Smith and Hickey Freeman -- do not include working buttonholes on suit jacket sleeves.  Hoa also made several perfect welt pockets in the lining for different purposes:  a pen pocket, general breast pocket, and business card pocket.

Modifications to the pants during the first fitting.  Note that the belt loops are not completed.

Four days after the initial fitting we were back in the shop for the final fitting!  We had recommended Hoa to some fellow travelers whom we had met the previous week on beautiful Phu Quoc Island.  The girls met us at Hoa and we quickly took over the shop!

Our fellow travelers were busy in the back of the shop ordering garments!

While the girls were busy ordering garments, Michael and I made final modifications to ours.

Michael did a "sit-test" for comfort around the thighs

Matching in blue linen (Michael) and Vietnamese silk (me)!

My finished yellow dress on right (still needs a good iron) and the inspiration on the left.

We left Hoa with all garments in tow except for my white linen cigarette pants and two Alder shirt dresses. These were delivered to the hotel the following day. 

From the Grainline pattern to Mai Attique's version to my two new dresses

Giddy with our purchases and wanting to celebrate our last night in style (Michael was itching to wear his sportcoat!), we met up with the girls at our hotel's bar for its famed pho cocktail named in honor of folk singer Joan Baez.
 
With our fellow travelers waiting for Joan Baez pho cocktails; I am wearing another shirt from Hoa!

Baez was a Metropole Hotel guest during the war and recorded parts of "Where are you now my son?" in the hotel bomb shelter where she spent several nights during the Christmas bombing of '72. 

Joan Baez pho cocktail in the making!  Its pyrotechnic presentation recalls the successive Christmas bombings of '72 survived by Baez in the Metropole shelter; the flavors (cardamom, star anise, coriander) are a nod to Pho, Hanoi's iconic dish.
Tour of the historic bomb shelter where Baez and Jane Fonda were "guests."  This bunker was designed for 40 people.  Hotel staff took cover in manholes along the street.  

In my Hoa trench on our last day in Hanoi visiting the Temple of Literature

We are so pleased with our beautiful garments and with the Hoa experience!  Now back to my own dining table "workroom" where I am the pattern maker, cutter, fit specialist, sewer, and everything in between...

Tuesday, February 24, 2015

Wardrobe Planning for the Season of Love

With the Hallmark DAY of love behind us, I am starting to look forward to the real SEASON of love...WEDDING SEASON!

So far, we have three weddings to attend this year:  Georgia in May, Nantucket in July, and Alabama in September.  Here's what I have on the drawing board for my wedding guest wardrobe:

Dress # 1:




Pattern: Gertie's bombshell dress or bombshell bustier with silk organza maxi skirt.

Fabric: I am using my prized Thai silk, purchased on a work trip to Bangkok in 2013. 



Progress:
I have already muslined the bustier and cut and basted the underlining to the silk fashion fabric.  













Dress # 2:



Pattern: Anna dress

Fabric:  Baby blue lace from Metro, with ivory crepe de chine lining.





















Progress:  None.  

Dress #3:




Pattern:  Gertie's Bombshell bustier + midi skirt

Fabric:  TBD --  Cashmerette's Jenny posted about this silk gazar fabric from B&J and I couldn't help but fall in love with it!  I went to B&J last weekend to check it out in person and am *thinking* of splurging on it for the midi skirt.  

Progress:  None.