Monday, April 4, 2016

Asaka Kimono in Paradise



I recently returned from an epic vacation to Vietnam including four tropical nights in the Gulf of Thailand.   Phu Quoc Island is known for its white sand beaches, crystal blue waters, and red dirt roads roaming with cattle and wild ridgeback dogs.  Freedomland -- our aptly named jungle resort -- was a little piece of heaven!  

Sunset on Ong Lang Beach

What better occasion to sew a special garment than Freedomland's famous communal dinners in the jungle!

Yes, I took this picture!  Amazing 4 course dinners every night at Freedomland.

I decided to go big and bold with the Asaka Kimono by Named Pattern Company.  There was no turning back when I saw Closet Case Files' beautiful cotton version!


I am pretty happy with how mine turned out!

In our thatch room bungalow at Freedomland




The silk charmeuse is from Chic Fabrics.  Chic has a great selection of colorful prints at $15/yard.  Highly recommend when in the NYC Garment District.

Cutting this out was challenging.  With previous silk projects I laboriously hand basted the fabric to medical paper to ensure a precise cut.  At Sonja's suggestion, I tried the new-to-me method of laying the silk out in a single layer on muslin before cutting.  Presto!  The muslin adhered to the silk and the cut pieces were more or less precise. Because of the slippery fabric, I sewed with a microtex needle and my walking foot.


The slits at the juncture of the open sleeves were a little bit tricky to hem because they met at a french seam, but I figured it out by clipping at the juncture of the french seam and slit.


In lieu of the iron-on interfacing recommended by the pattern, I used silk organza to interface the collar.  Next time I will try self-fabric for the collar interfacing.  I chose not to interface the belt.

                                           


                                  

The sleeves are set in the round and I had to run some gathering stitches to get the sleeve to fit into the shoulder. This probably wasn't the fault of the pattern drafting.  I think the fabric probably stretched since I forgot to staystitch the curves.

Since indie patterns are more expensive than the Big 4, I had higher expectations of the overall experience. This pattern should have been drafted for french seams. Period.  The seam allowance was only 3/8",   so I took the extra time to add 1/4"  so that I could make french seams. Also,  the instructions  were quite minimal and the cutting layout was only for 60".  I had a scant 4 yards of 45" fabric and spent a head scratching hour maneuvering the 14 individual pattern pieces into a workable layout for 45".


I do wish that I could get the hem to fall evenly and keep the skirt from riding up in every which direction and clinging.  I have a hunch that a lot of these problems would be solved if I used a cotton.
 

Pesky imperfections aside, this make was a real confidence builder.  Working at a steady rhythm, I completed the garment over about 6 days.  Each day I had a new goal and for the most part I accomplished everything on the day that I set out to do it. Maybe my good sewing juju has finally arrived?

Thursday, March 10, 2016

From Sewist to Client: a Custom Wardrobe in Hanoi


"We travel not to escape life, but for life not to escape us."

I am still on a high from our Vietnam vacation --- inspired by the fellow travelers we met along the way, picturesque scenery, my own vanquished fears (an overnight in the 3rd largest cave in the world deep in a leech-filled jungle!), and the silliness and confusion that accompany developing world adventures. What beautiful memories!

Soon after we booked our flights I started researching tailors in Hanoi.  My husband Michael needed a work wardrobe refresh and I wanted a headstart on my wedding season wardrobe.  I quickly settled on Hoa Fashion after learning that it was favored by local expats and recommended by our guidebook.


A third generation family business, Madame Hoa and her daughter Lien are the face of the brand.  Madame is a master of fit, nipping and pinning and smoothing; Lien, a fashion school grad, has a great eye for design and proportion.   The workers -- pattern maker, cloth cutter, men's tailor and several general sewists -- surfaced from the basement to advise during our fittings.  There was a visible security camera feed on the shop's main floor and I was able to glimpse at their comfortable workspace.

We arrived for our initial consultation at 8:30pm and spent two hours with Lien and her mother getting measured, trying on existing shop samples, flipping through catalogues (La Redoute, etc.) and settling on designs.

Madame Hoa measuring Michael during the initial consultation

Michael brought along a sample shirt and I brought images of designs to copy.

From left: Pinterest pants, DVF dress, Laroque tank, Burberry coat, Simplicity 1880

Additionally, we offloaded seven kilos of fabric from our suitcase!  You really can't compare the quality of Asian textiles to their finer European counterparts, so I encouraged Michael to shop for the fabric in advance in NYC.  He purchased the bulk at B&J, including super 120s suiting, shirting, and cashmere flannel for a sport coat.  He also made purchases at Mood and Elliott Berman.  I brought two pieces of stash fabric: a cotton floral print purchased several years ago at Benevento in Venice and a yellow brocade from Zimman's in Lynn, Massachusetts.

Fabrics purchased from B&J

Once we arrived at Hoa neither of us could resist adding to our order with garments made from fabrics from the shop.  Michael added a blue linen suit and several shirts and I added dresses and separates, including a dress and camisole from Vietnamese silk, and two dresses from Korea-milled cotton lawn.

For a small shop, they had an impressive fabric stash including a very small collection of high quality Vietnamese silk manufactured in the Van Phuc Silk village.

In addition to taking extensive measurements, Lien asked that I try on samples of the two designs I wanted to copy from her shop examples: a Burberry trench and a dress.   Her Burberry trench sample was on point and she told me that she had purchased a real Burberry in order to copy everything exactly.  It passed the Gorgeous Fabrics Burberry trench test!   Although I wanted to make some changes to the Burberry trench (princess seams and a flounce, a la Kate Mid), she asked that I try on her sample so she could work from her existing flat pattern to make the changes.  She quickly ascertained that one of my shoulders is taller than the other and made notes so that both shoulders would fit.

I fell in love with this dress which was destined for another client.  Since it was my size, I tried it on and Lien made notes for the pattern maker to alter the existing pattern to my body.

Before leaving, Madame asked if we would like all cotton fabrics pre-washed. These ladies sure do speak my language!

We returned five days later for the first fitting.  Hoa had prepared one of Michael's eight dress shirts and they had wisely chosen the lowest quality of the fabrics to make the initial shirt.

1st fitting.  The buttons are not placed, placket not sewn, and the collar is made out of interfacing


It was interesting to see what they had deliberately finished and what they had not.  Both of his suits were in process (no linings and only one sleeve) and all pants had been sewn.  All hemlines had been hand basted, zippers had not been inserted, and buttons had not been sewn.  For both of our garments, the collars (Burberry trench, Michael's shirts, my DVF shirtdress copy) were made out of interfacing to preserve the fashion fabric in the event of further changes.

First fitting.  Collar is interfaced, nothing is hemmed, and buttons are not placed.  Only one sleeve is inserted.


The inspiration on the left and the copy on the right.  The shape looked terrible on me, so we made it into cigarette pants.

And we did make further changes -- the DVF dress collar was a bit too tight, so Lien cut the collar at the center back and then used tape to achieve a comfortable fit around my neck. Similarly, we reshaped the interfacing collars on the alder style shirt dresses with a pair of scissors.  We discussed linings  and Lien suggested which dresses only needed a 1/2 lining.

My dress on the left and the inspiration on the right

Michael was particularly impressed that Hoa made working buttonholes and vents for the sleeves of his suit jacket and sport coat. According to Michael, most men's RTW -- even upmarket brands like Paul Smith and Hickey Freeman -- do not include working buttonholes on suit jacket sleeves.  Hoa also made several perfect welt pockets in the lining for different purposes:  a pen pocket, general breast pocket, and business card pocket.

Modifications to the pants during the first fitting.  Note that the belt loops are not completed.

Four days after the initial fitting we were back in the shop for the final fitting!  We had recommended Hoa to some fellow travelers whom we had met the previous week on beautiful Phu Quoc Island.  The girls met us at Hoa and we quickly took over the shop!

Our fellow travelers were busy in the back of the shop ordering garments!

While the girls were busy ordering garments, Michael and I made final modifications to ours.

Michael did a "sit-test" for comfort around the thighs

Matching in blue linen (Michael) and Vietnamese silk (me)!

My finished yellow dress on right (still needs a good iron) and the inspiration on the left.

We left Hoa with all garments in tow except for my white linen cigarette pants and two Alder shirt dresses. These were delivered to the hotel the following day. 

From the Grainline pattern to Mai Attique's version to my two new dresses

Giddy with our purchases and wanting to celebrate our last night in style (Michael was itching to wear his sportcoat!), we met up with the girls at our hotel's bar for its famed pho cocktail named in honor of folk singer Joan Baez.
 
With our fellow travelers waiting for Joan Baez pho cocktails; I am wearing another shirt from Hoa!

Baez was a Metropole Hotel guest during the war and recorded parts of "Where are you now my son?" in the hotel bomb shelter where she spent several nights during the Christmas bombing of '72. 

Joan Baez pho cocktail in the making!  Its pyrotechnic presentation recalls the successive Christmas bombings of '72 survived by Baez in the Metropole shelter; the flavors (cardamom, star anise, coriander) are a nod to Pho, Hanoi's iconic dish.
Tour of the historic bomb shelter where Baez and Jane Fonda were "guests."  This bunker was designed for 40 people.  Hotel staff took cover in manholes along the street.  

In my Hoa trench on our last day in Hanoi visiting the Temple of Literature

We are so pleased with our beautiful garments and with the Hoa experience!  Now back to my own dining table "workroom" where I am the pattern maker, cutter, fit specialist, sewer, and everything in between...

Saturday, February 6, 2016

Musings on 2015 and Onward with 2016!


2015, what a sewing year!  I feel a good deal more confident in my skills and am excited to continue on my sewing journey.  In total I made 21 garments with lots of pattern repeats, late night sewing sessions, and quality time with the seam ripper!



Without intending to, I sewed disproportionately from Indie pattern companies. And spent the most effort sewing for special events (6 weddings + 1 bar mitzvah).



I was most pleased with the fit and flare knit dress for an engagement party (blogged here).  Bonus: It was a quick and pain-free sew!

Fit and Flare

Ironically, I was  the most disappointed with my Anna dress (blogged here).  I put so much effort into it and still don't think the dress fits all that well or that the design is very flattering on me. Furthermore I really regret buying cheap lace and silk for the project.

Anna Dress

Did the 2015 RTW Fast save me $$ that I would have otherwise spent on clothes? Nope.  After adjusting for my lessons with Sharon and Camp Workroom Social, I still spent about the same on fabric/supplies as I did on RTW clothes in 2014.   I wasn't surprised by these results, as my RTW Fast was more Goodbye Ann Taylor Loft than Goodbye Valentino. Although I abstained from RTW, I did experience an uptick in shoe spending... Got to get that retail therapy in somehow!

It doesn't look like special occasion sewing will be slowing down in 2016.  But I am aiming to stop underestimating the amount of time it takes to complete special occasion garments.  To build up my casual wardrobe, I plan to buy a serger in the spring.

My husband and I are headed to Vietnam for a much anticipated vacation on Friday (!!!)  I plan to bring several pieces of stash fabric with me to take to a well-reputed Hanoi tailor.  I am hoping that these garments will fill in some of my wardrobe holes and I can avoid stressful 2am sewing sessions this year.

2016 Sewing Queue of My Dreams
I realize that this is a VERY ambitious list.  Ultimately, I will be pleased if I can accomplish 1/2.
Onwards with 2016!

Wednesday, January 20, 2016

Adventures in Bra Making Part II



Well, this sure was a bust! Looks nice though, doesn't it?

Too bad it doesn't fit...at all. 

The frustrating thing about bramaking is that you don't know whether something fits until it is completely finished.  The 34B white Marlborough that I made at Camp Workroom Social was a bit too small. Wearable but not perfect.  Norma noted that my cup size was between a B and C and advised that for my next bra (the black bra), I cut out a 32D.

Sometimes we must take two steps backward...The 32D doesn't fit at all around the band, though it appears to fit in the cups.  Even with a bra extender I can hardly wear it for 5 minutes!  Although the 32D black bra is unwearable, the sewing experience was still valuable. I really worked on better understanding the construction of the bra and made a ton of notes and changes to the Marlborough construction sequence, etc.with help from my sewing instructor Sharon.



Courtesy of the remnant bin at Sposabella! ($10 for the 3!)

I am bound and determined to make a bra that fits!  Especially now that I have invested so much time and money in the process.  Next up is a 34C using a remnant from Sposabella.  Here's hoping that third time is the charm!

***BRA-MAKING NOTES***
Technique

  • Don't forget to trim down the finished seam allowances after topstitching!  In particular after steps 3, 7, and 8 of the Orange Lingerie instructions.
  • The Orange Lingerie instructions have you measure out the wire casing along the actual bra cup and add 2 inches (step 12).  This means that 1 inch of casing is sticking out both at the center front of the bra and at the sides.  Once the bra is complete, you cut the casing flush with the bra center front.  After following these instructions, I found that the center front casing was peaking out a little bit from the bra center front in my white bra. For the black bra, I placed the center front casing about 1/8" below the center front and angled it slightly toward the center. When I sewed the casing, I was sure to angle in toward the centerfront and pivot before sewing the next casing/cup combination.  This resulted in a finished bra that didn't have the casing peaking out the center front.  Much better! 
  • The Orange Lingerie instructions had me clip the curves along the bra cup seam allowance.  Later, I would need to sew the underwire casing to the seam allowance.  It would have been helpful to have the uncut seam allowance when sewing the underwire casing to the seam allowance so that the underwire casing  has more seam allowance to "grab onto." Next time, I will not cut the curve of the bra cups.
Sewing Sequence
  • Complete the cups in full before attaching elastic to underarm (13A) and bottom band (13B).  Using the Orange Lingerie instructions, I skipped step 13 and instead completed 13A after step 19.



  • Attach the ring to the elastic first.  Next, create the strap elastic and place it through the ring.


Supplies
  • Demiwires:  The D cup underwires are a bit too large so I never put them into the casing of the 32D black bra.  I really prefer the look of demicups, so for my future C cup bra I am going to order demiwires from BraMaker's Supply.  Demicups (also known as "half cups") are shorter than the full underwire and are often characterized by being the same height at the front and the sides. See detailed explanation here
  • Thick vs. thin straps/elastics.  When I sized up to the D cup, I also sized up in the elastic (from 3/8" to 1/2") and the bra straps (3/8" to 1/2").  As Norma explained, this is intended to provide more support.  She suggests the larger straps/elastics for all D cup and higher.  I really don't like the look of the larger straps and intend to go back down to 3/8" for my future C cup bra.  

Sunday, January 10, 2016

FĂȘte, set, GO!



My childhood best friend and second sister, Sara, is getting married in April. (Yes, MORE weddings....) Although Sara and Derek are our neighbors in NYC,  they will wed in our South Carolina hometown.  I am very excited!

My parents co-hosted an engagement party in honor of the happy couple in October. What to wear?  I was on the hunt for a conservative silhouette suitable for cocktail conversation with our parents' friends.

I decided to go with a fit and flare.  The pattern is a rub-off of a much-loved H&M dress:  1/4 circle skirt, waistband, bodice with bust and front/back lengthwise darts.  See the initial version here in black ponte.

The fabric is an Italian matelasse knit from Mulberry Silks in Carrboro, North Carolina.  The weight is similar to a light ponte. The dress is unlined.

I constructed everything on my sewing machine using the walking foot.  To stabilize the shoulder seams (which hold the weight of the dress) I sewed in seam tape along the seam allowance.


I sewed all seams using a straight stitch (not zigzag) before reading in a back issue of Threads magazine that zigzag is the stitch of choice for knits.  Apparently the zigzag stretches and recovers with the fabric.  In contrast a straight stitch easily breaks knits.  Is zigzag really a hard-and-fast rule for knits?   

I stay stitched all the pieces.  I thought this was probably overkill at the time, but it seems the neck gaping is from the fabric stretching out and not because I need to make additional tweaks to the paper pattern. Next time I work from this pattern, I will try to be extra careful to not stretch out the neckline and stay stitch immediately after cutting.

I really love how the sleevecaps stand off the shoulders.
In process picture of the sleeve caps


























The sleevecap insides are not my best work.  If I had not been pressed for time, I would have made a bodice lining to hide the sleevecap construction, but admittedly I "franken-sewed" the sleevecaps to the armholes 2 hours before the party.  Luckily, it's not visible from the outside.

The horsehair hem is my favorite part of the dress!



The horsehair makes the skirt stand slightly at attention while still encouraging wavy movement.  Quite party festive, don't you think?

Wednesday, January 6, 2016

Turning over a Pink and Gold Leaf for the New Year!



My 2015 RTW Fast was marked by last minute sewing for special events.  I am pleased to say I turned over a new leaf in the final hours of 2015!

Originally I had planned to make Gertie's Bombshell dress for a New Year's Eve wedding in Boston.  I allocated Monday-Wednesday of the week between Christmas and New Year's to sew.  Since my office was closed for the week, I just assumed that lady-of-leisure-me could get it all done! WRONG.  By 3am Wednesday morning, I was only on lesson 9 of 16 of Gertie's Craftsy course (no longer available) and thoroughly enjoying the slow pace and couture techniques.



There was no way I would finish in time for our Thursday train to Boston.  So I stepped away from the sewing machine and went "shopping" in my existing wardrobe.  Turning up a New Year's appropriate me-made dress from December 2010!


Vogue 1174,  a now out of print Cynthia Steffe pattern.



I made Vogue 1174 for my husband's holiday party in London in December 2010.  It was a fancy British affair and I can remember being self-conscious about my me-made frock.  I haven't worn it since.

The pink and gold fabric is from Winmill in Boston.  I cannot remember the details of the dress construction.  This is quite an advanced pattern, as it involves boning in the lining and a 15 piece bodice. I worked on the dress over the 2010 Thanksgiving weekend with much needed assistance from my Mom.

For the Boston wedding, I accessorized the dress exactly as I did in 2010.  I wore a little leather and gold flower in my hair purchased on the day of the London party at Liberty.  I sewed up a matching stole made from the leftover fashion fabric and embellished my shoes with me-made shoe clips using gold organza and a rhinestone center.

Cheers to slow and deliberate sewing in the new year!